The Wooden Birds There are a few departures from the old sound: Gone are the vibraphones that cropped up in the latter half of the band's career, and newly added are the harmonies of Leslie Sisson, a former collaborator. Sisson's voice adds a sweet innocence to Kenny's dark description of a mental ward on "The Other One," and their dulcet duet on "Seven Seventeen" turns a bizarre look at love into a tender recollection of a childhood moment. Kenny might not be shattering new ground on "Magnolia," but he has found a way to build on the trusty old sound. -- Catherine P. Lewis
.: Originally published: The Washington Post: 10 April 2009, Page WE07
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